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We purchased this once gracious home in horrific
repair. The folk Victorian was built by Asa Candler, in 1897, as
a speculation house but was being used as a small church. The original
45 degree roof was missing; instead, a shed roof was in place. The
12' ceilings were dropped to 7' height. At the closing, one of the
former owners confessed that there had been a bit of a plumbing
leak. The leak was so bad, in fact, that the back wall we pushed
off the house with one hand.
The new design called for replacement of the original steep Victorian
roof, and an addition to the back to provide five bedrooms/ two
and a half bathrooms, a spacious kitchen, and center hall. To
begin, all of the previous unfortunate carpentry choices needed
to be removed. After the house was stripped down, there wasnt
much of the original house left: the foundation and three walls.
So, this house became essentially a new home on the old foundation.
Click on photos or links for larger pictures.
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In the 1920's, Victorian fell out of favor and so the owners of
this house decided to dismantle the original porch and install a
bungalow style porch with Craftsman columns and brick piers. We
removed the 20's porch and rebuilt the porch using recycled antique
bricks, and salvaged Victorian house parts. Click for a close-up
of the new porch and detail
of the gingerbread
detail.
To complete the Victorian porch restoration, we installed a Queen
Anne style stained-glass
door.
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The ceilings throughout the entire interior of the house had been
lowered to just over seven feet. Many platforms were installed and
used as elevated preaching spots. Fortunately the original (at least
to the 1920's) oak floors were still underneath and they refinished
beautifully. In the not too distant past, all the original windows
had been replaced with tiny metal windows. We replaced all of them
with historic wood windows
to fit the original 7' frame. We recreated the living room fireplace
with a reproduction gas coal basket insert with Victorian fire screen
and a tiger oak mantel salvaged from a Philadelphia mansion.
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When we found this room, its original triple bay had morphed to
a more Craftsman look. During demolition, we discovered the original
lines and returned them, replacing missing wood siding with solid
cypress clapboards. We found a stunning stained
glass window from upstate New York and installed it in the center
of the bay, with flanking 7' windows on the sides of the bay. Since
the front parlor of the house had an octagonal theme, we installed
double built-ins
that made the lines of the rooms octagonal as well.
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To transition from the dining room to the kitchen, we installed
a set of late 1800's pine pocket doors with stained glass windows
to slide back into the walls. The new owners choose blue cabinets
with black granite, recessed lighting, and stainless appliances.
This room is large enough to function as a combination kitchen and
den/entertainment area, and ends with French doors that lead out
to a large deck.
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This front room was Asa Candlers
showy parlor, built in the form of an octagon. Like the remainder
of the house, this room had the ceilings lowered and the windows missing.
We replaced the three windows and trimmed them out with the antique
fluted casing and bulls eyes. This house was missing all of its doors,
so we brought in 18 "new" turn of the century six panel
doors with antique hardware.
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The bedroom located behind the octagonal study (on left) may have
originally been the dining room. A fancy Victorian mantel was one
of the few architectural features still in place in the home. We
tiled the surround with pure white Greek Thassos marble.
The other two bedrooms are quiet and privatethe rear
bedroom looks out on the enormous back yard. The middle bedroom
is also bright and sunny with a six paneled door and huge window.
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The new home-owner had fun with the half bath, choosing
a funky vessel sink perched on a maple table, with modern faucet.
This floor was left in oak.
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The downstairs full bathroom was beautifully done in historic black
and white octagonal tiles. Complementing the tiles is a full sized
clawfoot tub
with chrome telephone faucets, antique medicine cabinet, pedestal
sink, beaded board and plate rail. In this bath is one of four matching
stained glass antique
windows that we added to the house and used as transoms.
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The wide eight foot center hall was recreated based on popular
Victorian plans where the public rooms were located on the left
and private rooms were separated on the right. When we bought the
house, most of the original walls were missing. To create an upstairs,
we installed a dramatic staircase that shoots up 12' to a landing,
turns and goes up another flight. The stair parts were a combination
of new parts and architectural antiques.
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The only rooms upstairs are all part of the master suite, lending
the space complete privacy and leisure. Though essentially new construction,
we wanted to keep this portion of the house in the same Victorian
ambience as the downstairs. On the top landing, we installed two
complete sets of antique casement
windows with their original hardware.
The large master bedroom (left) has a barn style roofline, double
French doors, and a Juliet balcony overlooking the deep backyard.
There is a spacious
hallway that leads from the master bedroom to the enormous walk-in
closet and bathroom.
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The master bath is sumptuous. Tiled with blue "swimming
pool" glass tile, it has a clawfooted tub, large shower
stall with water sprays and double shower heads. It also features
a stained glass transom, semi-octagonal shape, and bright window. |
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email:
paula@laughingsun.com
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