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We purchased this once gracious home in horrific
condition. The folk Victorian was built by Asa Candler in 1897 as
a speculation house but was being used as a small church. The original
45 degree roof was missing; instead, a shed roof was in place. The
12' ceilings were dropped to 7' height. At the closing, one of the
former owners confessed that there had been a bit of a plumbing
leak. The leak was so bad, in fact, that we pushed the back wall
off the house with one hand. This house was definitely an argument
for razing and rebuilding, but we are stubborn, and wanted to keep
any original elements we could.
The new design called for replacement of the original steep Victorian
roof, and an addition to the back to provide five bedrooms/ two
and a half bathrooms, a spacious kitchen, and center hall. To
begin, all of the previous unfortunate carpentry choices needed
to be removed. After the house was stripped down, there wasnt
much of the original house left: the foundation and three walls.
So, this house became essentially a new home on the old foundation.
Click on photos or links for larger pictures.
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In the 1920's, Victorian fell out of favor and so the owners of
this house decided to dismantle the original porch and install a
bungalow style porch with Craftsman columns and brick piers. We
removed the these incongruent elements and rebuilt the porch using
recycled antique bricks and salvaged Victorian house parts. Click
for a close-up of the new porch
and detail of the gingerbread
detail.
To complete the Victorian porch restoration, we installed a Queen
Anne style stained-glass
door.
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The ceilings throughout the entire interior of the house had been
lowered to seven feet. Many platforms were installed and used as
elevated preaching spots. Fortunately, the original (at least to
the 1920's) oak floors were still underneath and they refinished
beautifully.
The original windows had been replaced with tiny metal windows.
We replaced all of them with historic wood windows to fit the original
7' frame. We recreated the living
room fireplace with a reproduction gas coal basket insert with
Victorian fire screen and a tiger oak mantel salvaged from a Philadelphia
mansion. Years later, the homeowner hired us to install custom built-in
bookshelves and a window seat.
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When we found the room that became the dining
room, its original triple bay had morphed to a more Craftsman
look. During demolition, we discovered the original lines and returned
them, replacing missing wood siding with solid cypress clapboards.
We found a stunning stained
glass window from upstate New York and installed it in the center
of the bay, with flanking 7' windows on the sides of the bay. Since
the front parlor of the house had an octagonal theme, we installed
double built-ins
that made the lines of the rooms octagonal as well.
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To transition from the dining room to the kitchen,
we installed a set of late 1800's pine
pocket doors with stained glass windows to slide back into the
walls. The new owners choose blue cabinets with black granite, recessed
lighting, and stainless appliances. This room is large enough to
function as a combination kitchen
and den area, and ends with
French doors that lead out to a large deck.
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This front
room was Asa Candlers showy parlor, built in the form of
an octagon. Like the remainder of the house, this room had the ceilings
lowered and the windows missing. We replaced the three windows and
trimmed them out with the antique fluted casing and bulls eyes. This
house was missing all of its doors, so we brought in 18 "new"
turn of the century six panel doors with antique hardware.
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The bedroom located behind the octagonal study (on left) may have
originally been the dining room. A fancy Victorian
mantel was one of the few architectural features still in place
in the home. We tiled the surround with pure white Greek Thassos
marble.
The other two bedrooms are quiet and privatethe rear
bedroom looks out on the enormous back yard. The middle
bedroom is also bright and sunny with a six paneled door and
huge window.
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The new home-owner had fun with the half bath, choosing
a funky vessel sink perched on a maple table, with modern faucet.
This floor was left in oak.
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The downstairs full bathroom was beautifully done in historic black
and white octagonal tiles. Complementing the tiles is a full sized
clawfoot tub with
chrome telephone faucets, antique medicine cabinet, pedestal sink,
beaded board and plate rail. In this bath is one of four matching
stained glass antique
windows that we added to the house and used as transoms.
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The wide eight foot center hall was recreated based on popular
Victorian plans where the public rooms were located on the left
and private rooms were separated on the right. When we bought the
house, most of the original walls were missing. To create an upstairs,
we installed a dramatic staircase that shoots up 12' to a landing,
turns and goes up another flight. The stair parts were a combination
of new parts and architectural
antiques.
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The only rooms upstairs are all part of the master suite, lending
the space complete privacy and leisure. Though essentially new construction,
we wanted to keep this portion of the house in the same Victorian
ambience as the downstairs. On the top landing, we installed two
complete sets of antique casement
windows with their original hardware.
The large master bedroom
(left) has a barn style roofline, double French doors, and a Juliet
balcony overlooking the deep backyard. There is a spacious
hallway that leads from the master bedroom to the enormous walk-in
closet and bathroom.
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The master bath is sumptuous. Tiled with blue "swimming
pool" glass tile, it has a clawfooted
tub, large shower
stall with water sprays and double shower heads. It also features
a stained glass transom, semi-octagonal shape, and bright window. |
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email:
paula@laughingsun.com
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